BIOGRAPHY

I live and work in Paris.

My relationship with photography began in childhood, with a Kodak Ektra gifted by my father. Looking through the viewfinder, I discovered another world. That simple gesture pulled me out of the real and into a suspended elsewhere — a space that allowed for a different gaze: slower, more attentive. There, the world became light, texture, silence. I would observe what surrounded me differently — and also what moved within me. This constant shift between the eye in the viewfinder and the eye in the world, between imagination and reality, remains at the heart of my work.

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As a teenager, I often found refuge in the pages of Elle magazine. Amid family tensions, those images of beautiful, free, elegant women living in luminous settings opened a parallel world. That may have been my first true connection to photography — an escape into a dreamlike elsewhere, filled with beauty, softness, and desire.

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Later on, life led me to live and work in different countries. Those years offered a rare kind of luxury: the chance to slow down, to observe, to let myself be shaped by details that often go unnoticed. Somewhere in that dislocation, my eye became sharper — and quieter.

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Since 2017, I’ve trained with photographers whose vision I admire: Yann Rabanier, Julien Mignot and Xavier Gary for portraiture; Albert Watson, Vincent Peters, Stefan Rappo, Daniel Archer and Carlijn Jacobs for fashion photography. In 2023, I completed a certification at Gobelins School in developing and structuring a photographic creative proposal.

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Today, I work mainly in Paris, between my studio on rue Mouffetard and the nearby streets — where sometimes, a fleeting reflection or a slant of light is enough to rekindle the urge to create.

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My current project is a new series in progress, where design and surrealism meet in a visual universe still taking shape.